Why - for subjects that have slight substance in their high values, that is, various close tonalities that are difficult to hold in the print. EX. Clouds, white water.
Definition - a threshold exposure added to an overall print to reduce contrast extremes.
How
Method 1
- Place a piece of diffusion material (soft focus material) under the lens.
- Place the lowest contrast filter (highest number yellow).
- With the negative removed, stop the lens down to f/16.
- Make a test strip at 1 second intervals with a minimum of 10 stops.
- Find the strip with the first discernible hint of grey. The flash exposure is one less than this.
- Using the exposure determined, flash the sheet of paper with the low contrast filter and diffusion material in place.
- Remove diffusion material, replace the negative, compose and focus image.
- Make actual exposure including burning and dodging, etc.
- Develop.
Method 2
- With the negative in place use a diffusion sheet under the lens with the lowest contrast filter.
- Open the lens all the way (f/2.8) and prefalsh for 1 or 2 seconds.
- Remove diffusion sheet and yellow filtration.
- Replace appropriate filtration and make final print.
SPLIT FILTRATION PRINTING
Definition - the use of different grades of contrast filtration on the same print
Application
- in high contrast negatives (negatives with extreme dense areas and extreme thin areas)
- in this approach we generally use one setting that adds a lot of contrast (5 or 140 magenta) and one setting that reduces contrast (0 or 50 yellow)
- yellow filtration is used to control detail in the highlights
- magenta is used to obtain strong rich detailed blacks
Method
- Choose a high contrast negative.
- Dial in 140 magenta (this is your shadow printer). Make a test strip in the shadow areas.
- Develop strip and determine the minimum exposure in which the deep shadow areas print black and there is still visible detail (note this time).
- Dial in 50 yellow (this is your highlight printer). Make a test strip in the highlight areas.
- Develop strip and determine the time you have just begun to achieve detail in your highlights (note the time).
- Dial in 140 magenta and expose paper for determined time.
- Without moving the paper, dial out magenta and dial in yellow and expose for determined time.
No comments:
Post a Comment